Safari, the Zone, and New Beginnings

By Stephen Koury

Photos by Zoe Alexander

Stephen Koury in his studio

Stephen Koury standing next to one of his finished paintings on display in his home

In Africa, while leading safaris, you're on dirt roads in the bush and stuff happens. It doesn't mean you're stupid, or did something wrong, it just happens. African dirt roads are a bit like driving through backwoods Florida. You can't see around the corner. Everywhere you go, you go slow because game is everywhere. Even on the major highways in South Africa, you're like "there's a giraffe, and zebras!" You're going slow all the time.

When I would take a group of tourists out it would be in a Volkswagen "combee", which is a really strong van with a bunch of windows. One time I had a combee with 6-7 tourists, and behind that a low trailer filled with everyone's suitcases because we were moving from one camp to another.

We were coming around a corner just as this huge bull elephant stepped out on the road, BOOM. We had just crossed a little bridge, and elephants don't give way -- you give way. When he saw us I swear he got twice as big. They have this ability, oh my god they get huge!

So, he started walking toward us, and we started backing up, trying to keep the trailer from jackknifing and there's still that bridge behind us. I'm watching and I'm like "Everybody hold still, don’t move!” I'm also thinking "man, I was just trying to do a nice photo safari and I’m going to get everyone killed!"

‘Wisdom the Elephant’ displayed in Stephen’s studio

‘Wisdom the Elephant’ displayed in Stephen’s studio

We couldn't back up anymore. I looked in the mirror and the trailer was completely sideways, jackknifed. He came up close to the van and looked down at us. I remember his trunk, elephants do a thing like a "sneaky sniff" where they keep the trunk down low. He was doing that! So I knew then that he wasn't mad, I realized it was curiosity. Like "I'm gonna see what I can find out", not "I'm going to crush this car like a tuna can".

He shook his head, made a big cloud of dust, and turned away. I came home and made a painting about that. It's called "wisdom", because I think he was trying to achieve or learn something. He had an earring hole in his ear that made him unique and recognizable. You can tell one elephant from another by the shape of the ears, the face and the high forehead -- but he has a really defining hole in his left ear.

‘Sisters’ by Stephen Koury

‘Sisters’ by Stephen Koury

The flower in Stephen's garden that inspired ‘Sisters’

There's a lesson I learned a long time ago. I was talking to a guy about my paintings and he said, "you've captured the essence of the animal". I'm like "wait, what do you mean?" Well, it means if you saw the silhouette you would know what it was. If you just saw it move, you'd know. I keep going back to that concept. The essence is what I'm trying to capture. Not just a flower or butterfly or bird. I want to capture the essence so you can smell it, feel it, and watch the light bleed off the leaves. That's me, that's what I try to do when I paint.

‘Great Light Great Egret II’ by Stephen Koury

‘Great Light Great Egret II’ by Stephen Koury

‘Morning Salute’ by Stephen Koury

‘Morning Salute’ by Stephen Koury

When I'm painting, man, I get in this zone. Everything just clicks, it’s effortless. I've had it happen to me in sports, too. Honest to god, this sounds crazy, in college I would be at the plate batting and the pitch was coming in, the minute the ball left the pitchers hand time just slowed down! Everything clicked and I just crushed it. That's the zone, I don't know how you consistently get there but you do.

When I paint it's the same way. If I haven't painted in a while, it's kinda laborious. I get self conscious, and fussy with the paint mixture. But after a while, man it is rote. It just flows! It's just like meditation. Time doesn't mean a whole lot when you get to that zone. It's getting into the zone that's tough.

I've got my brain conditioned: when I step in my studio the garbage stays outside and in here it's creativity. This is my zone, I put myself here, and I'm ready to go.

My daughter, Sage, started college this August and my house feels big already, and really quiet. So my life is kindof in flux right now. I'm deciding who I am and what I am. It's cool, it's a good start, a new start.

‘Gold Dust’ by Stephen Koury

‘Gold Dust’ by Stephen Koury

As those strings start to get cut, I'm discovering this new freedom. I'm a motivational painter, and I get my motivation by getting out there and chasing bugs, birds and critters. I've gotta see stuff and experience things, then I paint it. Maybe I'll build out my van and take a road trip, take the long way just to see America again. Although we're lucky in Florida for bird life, this place is loaded. It's pretty amazing.

So long as I have internet access, I can teach a workshop wherever I am. I do a Wednesday online zoom class, every week and love it. I also teach in-person painting lessons from my home, twice a month. As the students paint, I paint, so I often start new paintings in the workshop and complete them afterward. I love doing these, love the interactions and watching people learn how to make things look real and round, the lightbulbs coming on. It's therapeutic!

Art's cool! I wish more people painted, did art, pottery, sculpture, they'd be so much happier, truly.

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